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Author Topic: The ART of Flight  (Read 314599 times)

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purgatorio

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Re: The ART of Flight
« Reply #312 on: September 17, 2014, 01:31:52 AM »

Federico Calandria
Guerra Por La Paz, 2013


http://crtr.co/ekf
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purgatorio

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Re: The ART of Flight
« Reply #313 on: September 17, 2014, 01:58:23 AM »

Matthew Schofield
A Visit To A War Museum, 2013


http://crtr.co/ffw

matthewschofield.com
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purgatorio

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Re: The ART of Flight
« Reply #314 on: September 17, 2014, 08:51:17 AM »

Jake & Dinos Chapman
The Axminster of Evil, 2008

Jake & Dinos Chapman make iconoclastic sculpture, prints and installations that examine, with searing wit and energy, contemporary politics, religion and morality. read more ...





jakeanddinoschapman.com
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purgatorio

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Re: The ART of Flight
« Reply #315 on: September 17, 2014, 09:19:19 AM »

Nadav Kander
Priozersk II, (Tulip in Bloom), Kazakhstan 2011



Rooted in an interest in the ‘aesthetics of destruction,’ Nadav Kander’s most recent project Dust explores the vestiges of
the Cold War through the radioactive ruins of secret cities on the border between Kazakhstan and Russia.
read more ...
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SAS~Gerax

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SAS~Gerax

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Re: The ART of Flight
« Reply #317 on: September 23, 2014, 09:44:21 AM »

Deborah Simon:






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purgatorio

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Re: The ART of Flight
« Reply #318 on: September 23, 2014, 11:58:10 AM »

Great input, Gerax!  :D

Deborah Simon
Flock, 2013




Deborah Simon: My work walks the line between taxidermy, toy and sculpture. Each animal is meticulously fabricated to create an unnervingly accurate but slightly off version of the natural animal. Evolution has always held a particular fascination for me, informing how I create and group the animals in my work. As I’ve read and dug through museum collections to research my pieces, western science’s mania for labeling, codifying and collecting has stood out. Most of this categorizing bears little resemblance to how animals and plants exist out in the natural world and I find this disconnect fascinating.







deborahsimon.net
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purgatorio

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Re: The ART of Flight
« Reply #319 on: September 23, 2014, 12:41:38 PM »

Artist unknown
Goering proudly boasting, 1940-1944


Catalogue ref: INF 3/1434

A three-part cartoon – the first of which depicts Goering proudly boasting that not a single allied aircraft will fly over the Reich territory; the second, British bombers attacking German industrial targets and the third a deflated looking Goering sitting amongst the rubble of a factory, listening to a loud-speaker giving the all-clear.
The artist has made a note that the focus is on ‘German military targets.' Bomber Command was keen to emphasise that they partook solely strategic bombing, although in reality accuracy could not be that precise, particularly with night-time bombing.



Artist unknown
RAF cartoon, 1939-1945


Catalogue ref: INF 3/562

An three-piece illustration from Book ‘C', Boys' Adventure Stories. The first image depicts a pilot about to board his Mosquito, which is being made ready for operation by ground crew. The second image depicts RAF Spitfires flying out of the sky to successfully shoot down enemy bombers. The third image depicts an RAF Mosquito, having just dropped its bomb load, with a large bomb-blast visible in the background.


Artist unknown
Crew of a merchant ship, 1942


Catalogue ref: INF 3/875

Series of nine realistic drawings, illustrating the crew of a merchant ship fire-fighting as the result of aerial bombardment, then hitting a mine. The crew abandon ship, then re-board to save the ship, and are towed into harbour, where the precious cargo of tanks is unloaded.


Artist unknown
Guarding African skies, Date unknown


Catalogue ref: INF 3/384

An extremely colourful Colonial poster, depicting a British Hurricane fighter flying unfeasibly low and out of proportion to the African street that it is ‘guarding'. This poster, designed for African consumption, is painted in a typically bright ‘African' style.


Artist unknown
Preparation for an allied aircraft drop, Date unknown


Catalogue ref: INF 3/1808

Image for a series on the resistance movement, with three pictures illustrating the marking of a site with a large paper arrow, in preparation for an allied aircraft drop.


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purgatorio

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Re: The ART of Flight
« Reply #320 on: September 23, 2014, 12:50:00 PM »

Reginald Mount

Having worked as a designer for various advertising agencies in the 1930s, Mount joined the Ministry of Information at the outbreak of the Second World War. During 1939-45 Mount, working with designer Eileen Evans, produced many posters for campaigns varying from security and salvage to road safety and the renowned anti-VD campaign of 1943-44.


Fritz in Nazi bomber, 1942


Catalogue ref: INF 3/1421

The caption on the image reads: ‘Fritz in Nazi bomber'. The cartoon depicts determined (but subservient) looking German air force men flying towards Britain (note the map in their hands) as the evil-looking animated fire-bomb Fritz sits back, relaxes and awaits his opportunity to cause a fire storm.


Fire-bomb Fritz, 1942


Catalogue ref: INF 3/1426

Experimental drawing for ‘Fire-bomb Fritz', an animated incendiary bomb whose expression – comic, rather than terrifying – was intended to reassure people of the harmlessness of incendiaries if tackled in time – see accompanying illustration in INF 3/1425 for Colonel Stirrup Pump.


Hawker Hurricane cradled in a human hand, Post-1941


Catalogue ref: INF 3/328

This Soviet-style image depicts a Hawker Hurricane cradled in a human hand, which is emerging from below a sea horizon, with a sea foreground. This image was ‘No. 5' in a series of posters (the others included a tank, lorry and parcels), designed possibly for British factories, but more likely for export to the Soviet Union, as the finished design is accompanied by Russian text.
In 1942 Lord Beaverbrook had returned with a collection of original Soviet posters, which were published, with English translations, in British factories and the British looked to provide posters in return.
The hand represents the British merchant navy carrying war supplies to ‘Russia', in this instance a Hawker Hurricane. The Hawker Hurricane equipped numerous Soviet squadrons at a time when industrial production was dislocated by the German onslaught.



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purgatorio

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Re: The ART of Flight
« Reply #321 on: September 23, 2014, 01:00:17 PM »

Reginald Mount
Wing Commander H.I Edwards, 1943


Catalogue ref: INF 3/432

Hughie Edwards' Bristol Blenheim IV is shown flying at very low- level in order to prosecute his attack more effectively. Whilst the main object of low-level flying is provide cover for an aircraft on its approach to the target, there are still many risks at flying such heights. Consequently Edwards' Victoria Cross was a just reward for his deeds.








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purgatorio

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Re: The ART of Flight
« Reply #322 on: September 23, 2014, 01:04:53 PM »

Artist unknown
Flying Officer K. Campbell, 1943


Catalogue ref: INF 3/424Links to the Catalogue

The height at which Campbell attacked the German ships in Brest harbour, as shown in this image, does not really portray what must have been a highly courageous act. The speed of the Bristol Beaufort and its proximity to the water during the attack can only really be imagined.




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purgatorio

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Re: The ART of Flight
« Reply #323 on: September 23, 2014, 01:41:06 PM »

O'Connel
Lieutenant Commander E. Esmonde, 1943


Catalogue ref: INF 3/447

Flying an obsolete aircraft into a torrent of enemy fire requires a single-mindedness that few pilots have shown. Although his attack was doomed to failure, Eugene Esmonde still attacked the German battleship in this supreme sacrifice.




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